Tag: Game Feel

Categories
IGO720 - Module 4

Game Design…

Week 2.1 – 4th February. 2022

By the end of this 2nd week for IGO720, we are encouraged to look into the following areas;

  • Identify game design principles.
  • Analyse existing games in terms of game design principles.
  • Apply game design principles to create original game concepts.
  • Evaluate the scope of a game concept.

How to start the game design process?

We are asked to research one of our favourite games, and analyse it, as though we were creating a Game Design Document for it.

This encourages us to get familiar with creating Game Design Documents, and understand the processes involved, when working with a new game concept.

During Lobb’s video on; “Starting the Game Design Process“, he discusses numerous ways of developing your game, from the initial concept, using different prototypes, such as; paper prototyping, and digital prototyping, to working on the general mechanics first hand, and testing.

Mechanics – Fun Curve…

Whilst reading further into Scott Rogers book; “Level Up: The Guide To Great Video Game Design,” and specifically chapter 12; “The Nuts and Bolts of Mechanics“. I found a fantastic quote, which reminded me, to think about my own reason for wanting to play certain games, and what makes me want to keep playing, what is so appealing? Scott Rogers quotes;

“My key to keep players from “going over the fun curve” is to create ramping gameplay. A designer must build one gameplay system upon the last, teaching players a new move and how to master it against mechanics and enemies.”

(Rogers 2014, p361.)
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I started to list what makes me drawn to my current games…

Castle Story – Phone App

  • Really nice colour of artwork/ well drawn/ and detail.
  • The imaginative journey you are taken on.
  • The task of making buildings, where you then need other objects to make other buildings/ which leads to upgrading.
  • Plus the idea of expanding the kingdom.
  • Plus characters that are cute, and speaks some text… to help get you more involved.

Although these are all positives, in my personal opinion, there are a few things which discourage me.

a) The time it takes to make certain items.

b) The amount of lives or health.

c) To much text.

I compared this game above to one, recently downloaded…

Lilys Garden – Phone App

  • Really nice colour of artwork/ well drawn/ and detail.
  • The imaginative journey you are taken on.
  • The task of improving your home design and garden, then you know you have to play the mix/match game grid again, then you get a reward/ incentive .
  • Plus the idea of reviving, redesigning and discovering new areas of house and garden, and a secret past of her aunt who left the house.
  • Plus characters that are cute, and speaks some text.. to help get you more involved.
  • Not to much text. Plus more free incentives.
  • Gameplay time increased… rewards that make you have unlimited time of your 4 lives.

The games I have briefly analysed above, are both really good at the point Scott Rogers highlights, that it is important to; ” build one gameplay system upon the last“, this helps me to re-focus on creating a detailed character, and re-drawing the character as a whole, from the front view to the side view, and once 3D modelled, to work on one mechanic at a time.

Note; to keep in mind: A clear idea of how my character looks and what she can do, and to think more about the mechanics that would match her personality and the story/ adventure of the game, as a whole.

Digital Prototyping…

Last week, I began the module, with a focus on speed, an aim to create a good story, which I already have, then a 3D character in Maya.

However the last character I created was low poly, and this time around I wanted to experiment with making a smooth 3D model, following a tutorial, as I displayed in last weeks images/ screen shots, and references. But problems arose.

From the image below, you can see I kept checking the head of the character from all angles, but in the front view, when I was trying to move an edge that was already part of the polygon, I wasn’t able to do so, and as I was using a apple magic mouse, I then began trying to add an edge loop, this is when finally the edge I wanted, become available to drag out to the required position.

(Figure 1: Norton 2022 Four View)

Problem – Edges

The images below show the extra edges that was created, and when the next step was to cut the head shape in half, selecting half was fine, but deleting half was not so simple. The polygon, left so many stray edges, which not only effected the shape of my head, but also the shade and colour.

Solution!

After some more research on 3D modelling tutorials, I have chose to follow a new professional, called; ‘Animator Artist Life‘, which are small tutorials less detailed and is helping me to create models in Maya, following the best practices.

  • First part is to create my front and side views of the whole character, ready to place into Maya. But it is very important, that they are exactly the same size. This may have been part of the problem, when also trying to model the head. The size was slightly smaller on one of my planes.

These small differences make a huge effect with your development time, and for your model to be made correctly, with a smooth finish, as I have recently found out.

Game Feel

In Steve Swink’s book: “Game Feel; A Gamers Guide to Virtual Sensation“, and his chapter on; “The Game Feel Model of Interactivity.“ Steve Swink quotes;

“Experiencing game feel is feeling out the game world, making additional distinctions, and learning skills, concepts, and generalisations that make coping with the unique world easier.”

(Swink 2009, p65.)
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He continues to explain that a game world should be simpler then, the real world. My understanding of, “feeling out the game world“, means, making sure I know the reason my character does, “what” particular action, “why“, and to embody the character.

I shall do this by acting out the movements, creating a voice for her, imagining the world she is in, what her emotion is, what she may be feeling, and picture what I might do, and my reaction, as if I was in her shoes.

This is how I hope to make the player “feel” my story, by doing the above and transforming those actions in Unreal, and adjusting the animations, to fit my character persona, with the animation blue print, and a blend space.

In the words of Mark Brown, and his video series called; “Game Maker’s Toolkit” – he analyses a numerous amount of games, paying close attention to; game design, level design, and game production.

“making every lick of polish, speak to what the game is really about.”

(Brown 2015)
)

This is was my initial intension, and from here out I will show you my development, from character – 3D modelling – videos of my progress, importing into Mixamo – and manipulating the animations in Unreal Engine 4.

Week 2.2 – 8th February. 2022

Character Design

Below is my main character for my new game concept. (click on image to see each one)

(Figure 2: Norton 2022 Front
View)
(Figure 3: Norton 2022 Side
View)

3D Maya Development…

First part of the process – Planes both in place – adjusted to size 2 – feet on the line. Starting with a simple cube, and making sure it is aligned with both planes. Making sure to manipulate the shape, add more faces, move edges and vertices, to match that of the characters shape.

(Figure 4: Norton 2022 Four View)

Continuing to develop characters Torso, shown below.

(Figure 5: Norton 2022 Four View)

After more development…

References

Lobb, I. (2022) Starting the Game Design Process. [online]. Available at: https://learn.falmouth.ac.uk/courses/251/pages/week-2-game-design-process-and-principles?module_item_id=13014 [Accessed 4 February 2022]

Animator Artist Life. 2020. ‘Setting up image planes in Maya – 3D Modelling a cartoon character – PART 01’ [online]. Available: https://www.youtube.com/watch?v=asfhKxLUdOQ&list=PLIV47uRi3f2Ub9INK89HnmkLgmNYjvcL6&index=2 [Accessed 7 February 2022]

Animator Artist Life. 2020. ‘How to Model a Cartoon Character in Maya – PART 02 – 3D poly modelling the Body’ [online]. Available: https://www.youtube.com/watch?v=asfhKxLUdOQ&list=PLIV47uRi3f2Ub9INK89HnmkLgmNYjvcL6&index=2 [Accessed 7 February 2022]

ROGERS, Scott. 2014. Level Up ; The Guide To Great Video Game Design. 2nd edn. John Wiley & Sons, Ltd.

SWINK, Steve. 2009. Game Feel ; Game Designer’s Guide to Virtual Sensation. Morgan Kaufmann Publishers.

BROWN, Mark. 2015. Game Maker’s Toolkit – Secrets of Game Feel and Juice. [online]. Available at : https://learn.falmouth.ac.uk/courses/251/pages/week-2-game-feel?module_item_id=13016 [Accessed 7 February 2022]

Full List of Figures

Figure 1 : Norton 2022 Four View (screen shot from Maya)

Figure 2 : Norton 2022 Front View (screen shot from Maya)

Figure 3 : Norton 2022 Side View (screen shot from Maya)

Figure 4 : Norton 2022 Four View (screen shot from Maya)

Figure 5 : Norton 2022 Four View (screen shot from Maya)

Categories
GDD740 - Module 3

Creating Games With Appeal

Week 3.1 – 1st October. 2021

This week, we have to focus on clarifying everything that will be included in our GDD (Game Design Document), and have it completed by the end of the week to help us move forward, to go towards the development of our individual Business Plans.

Iain Lobb’s video lists everything we must consider adding into our GDD, and in general to think about more carefully, to help us promote and market our games. The list below was only the starting point…

  • 1) Finding Unique hooks – Surprising/Desirable
  • 2) Creating a player fantasy
  • 3) Anchoring to familiar mechanics
  • 4) Knowing your Audience
  • 5) Attracting customers through ‘Art Direction’
  • 6) Keeping players engaged – Engagement mechanics
  • 7) Designing multiplayer games
  • 8) Developing Prototypes
  • 9) Marketing – Look at what other titles have sold well.
  • 10)Pre – animate GIF’s – post on Twitter to see the response to the art style…?
  • 11) Mascot in games must be a cute/ attractive character
  • 12) Think about your core gameplay loop – Prototype
  • 13) User Experience – Think about the user interface, control system, and gameplay loops.

After going through the list – my main thoughts was to focus on creating an emotional story opening with a polished animation, and added narration at the beginning of the game.

Secondly, I would like to focus on getting a couple prototypes, posted on Twitter, as this is the indie game dev world. Ever since I have joined only in September, I have found such amazing, imaginative solo indie game devs, and more.

Games that have sold well…

I have researched more into the titles below, as they each have got elements in, of what I too, would like to add into my game. (More details in week 4: M740 to show how well they have sold.)

  • 1) Lyn, The Girl Drawn on Puzzles / 2D Hand Drawn / Steam
  • 2) Lost in Random / 2.5 D Emotional Story Telling / PS4/ PS5
  • 3) Ori / 2D Mild Fantasy /Plat-former/ Switch
  • 4) Hollow Knight. / 2D Epic Action Adventure / Steam
  • 5) Unbound Worlds Apart / 2D Puzzle Plat-former / Steam

The five most common experiences…

In Steve Swinks book Game Feel, and the chapter on Experiences of Game Feel, he reveals that, although there are many different feelings you get when playing a game, the 5 most common ones are as follows;

  • 1)The aesthetic sensation of control
  • 2) The pleasure learning, practicing and mastering a skill
  • 3) Extension of senses
  • 4) Extension of identity
  • 5) Interaction with a unique physical reality with the game

Swink continues to elaborate more on how we as players, the audience reciprocates individually in many different ways, to certain actions at particular times throughout a game.

“What we call game feel is the sum of all these experiences blended together, coming to the surface at different times.”

(Swink 2009)

.

Personal Game Feel…

In relation to my list of games – from each category that I feel is relevant or has something similar to my game concept, that I have created. The below games are indeed ones that I have all different ‘game feels‘ too.

  • 1) Lyn, The Girl Drawn on Puzzles / 2D Hand Drawn / Steam Relaxing / little emotional from the back ground music
  • 2) Lost in Random / 2.5 D Emotional Story Telling / PS4/ PS5 Interaction with a unique physical reality with the game
  • 3) Ori / 2D Mild Fantasy /Plat-former/ Switch Pleasure learning, practicing and mastering a skill
  • 4) Hollow Knight. / 2D Epic Action Adventure / Steam On edge/ excited
  • 5) Unbound Worlds Apart / 2D Puzzle Plat-former / Switch /Steam In a Fantasy world full of adventure / music exciting

Week 3.2 – 6th October. 2021

Prototyping

  • (Figure 1 : Norton 2021 2D Tree Illustration)
  • (Figure 2 : Norton 2021 2D to 3D)
  • (Figure 3 : Norton 2021 converted to 3D)

First Render

The below shows my first prototype for my game. This is the very first time also, that I have rendered an illustration and manipulated it. from 2D to 3D in blender.

The format is an MP4, so I have chose to display it, from how it looks when posted on Twitter. (next time I will aim for a GIF).

Game Design Document…

Once again this is yet…another first for me. I didn’t realise how much you need to consider when making a game, I knew the obvious things; like what moves the character will do, what art style you are going with, the kind of music to set the atmosphere, the story behind the game, and to have a points/ health system, but there is so many other elements to consider.

Below is the full Game Design Document. I have tried to consider everything very carefully.

(Figure 4 : Norton 2021 GDD p.1)
(Figure 5 : Norton 2021 GDD p.2)

References

Lobb, I. 2015. Creating Games with Appeal. Available at : https://flex.falmouth.ac.uk/courses/924/pages/week-3-lecture-creating-games-with-appeal?module_item_id=57447 [Accessed 2/10/21]

SWINK, Steve. 2009. Game Feel ; Game Designer’s Guide to Virtual Sensation. Morgan Kaufmann Publishers.

Bucci, M. 2020. Turn a 2D painting into 3D environment – Powerful BLENDER Techniques Available at : https://www.youtube.com/watch?v=Ff0aobJRSNc [Accessed 15/10/21]

Full List of Figures

Figure 1 : Norton 2021 2D Tree Illustration (created in Adobe PhotoShop)

Figure 2 : Norton 2021 2D to 3D (created in Blender)

Figure 3 : Norton 2021 converted to 3D (created in Blender)

Figure 4 : Norton 2021 GDD p.1 (created in Adobe PhotoShop)

Figure 5 : Norton 2021 GDD p.2 (created in Adobe PhotoShop)

Categories
GDD710 - Module 1

Version Control

Week 7.1 – 11th March. 2021

Rapid Ideation Session Two

Patricio and I decided to work together for the rapid ideation event, due to having similar interests for what we wanted to create, with an overall goal in mind to make a game. That being said, we had one of his old handmade animated asset’s, as a starting point for the game already.

Theme

We agreed on working with the theme – environment, looking more closely at how much pollution is around, especially in the ocean, and getting a better understanding of what it is doing to our planet overall.

Concept

Fishy game level 1
(Figure 1: Land 2021 Sea Creature eating plastic)

(the game play of our artefact is based upon the adventures of a sea creature fighting human contamination)

Our initial aim is to show a way of recycling, and clearing waste, after it had been dumped into the ocean.

fishy game level 2
(Figure 2: Land 2021 Sea Creature no plastic)

However, this may sound quite straight forward, but we have reservations about the sea creature and if it will display this with just swimming around, searching for food, only finding rubbish instead.

Background ideas

(Figure 3: Norton 2021 Ideas for rock texture/ Alien globe)

Above – looking more into the Style of illustration – shape within shape, whether the creature may have a globe over his head, or is just a normal fish…? The orange fish below, is what we went with…but we was thinking about an alien to begin with.

Blends for the rocks, or sand hills under the sea, something that may show texture.

Example below.

(Figure 4: Norton 2021 Ideas for colour and texture of sand)

This is the texture we liked the look of above, and by using one of my old cloud designs, I had made for one of my children’s books, this helped with the atmosphere of the game, to create a dark, unhappy life under the sea.

Week 7.2 – 12th March. 2021

We set up a Trello board straight away to keep track of our development.

Trello – This is the most useful product ever for organisation!

Screenshot 2021-03-13 at 17.49.11.png
(Figure 5: Trello Board 2021 Deb and Pat’s Rapid Ideation Development Process)

As I mentioned in my last post, when learning about retrospective,

I choose my Start item as;

  • Writing a weekly plan to help structure the work **

As for writing a weekly plan to organise the week ahead this has been working to, mostly because of Trello, one of the most useful things ever designed.
A board to write down all the things you need to do, what’s been done, and what your working on, whilst sharing with your team mates, choosing a perfect photo as a background, which helps to ground your focus to. Fantastic!!

Questions to address…

How do we clearly convey, with a sea creature searching for food, that we are looking to find ways of recycling to help the environment?

We wanted to look at the correct approach, and kept worrying about the sea creature which we had now chosen to be a Piranha, and how it would be able to show this through swimming in the ocean. I had an idea, of it changing different colours when it ate certain things.

We wanted to show how ill the Piranha was getting, from all the rubbish in the ocean.

Ideation start process for the Piranha – the change of different colours, on the approach, whilst eating, and afterwards

(Figure 6: Land/Norton 2021 Original Fish by Patricio/Colour Designs By Debbie)

Conclusion

From the above coloured fish versions…the Orange is the natural colour from Patricio’s original design, but I was determined to show the fish with a different colour, bright blend, as I was thinking along the lines of slime, and when things react to certain products in the sea.

I had an preconception that the fish may be glowing from when it approaches some kind of trash in the sea, and from that, its stomach is turning inside, and the way of showing that to the gamer without the fish being sick, would be through colour to show how its feeling.

From this small part of the process, we decided the bright slime green, in Patricio’s words…

Sick green, which I would be applying to all the fish that would;

  • a) approaching the trash – swimming
  • b) whilst eating – eating
  • c) spinning after eating – turning

Problem

When applying colour to the fish, first time around the process took ages, and Patricio did recommend we don’t use a blend, but I felt the sick green really worked, and was so invested at showing him this could be done quickly, and could still look just as effective as the first one I did.

Solution

With this in mind I began rechecking out ways on Photoshop, to get this look quickly and apply to all the fish versions, we had discussed.

First attempt – taking the fish, adding a layer, drawing over the top(tracking the fish), then selecting and colouring. this is what took forever.

Second attempt – Taking the fish, adding the layer, selecting the fish from the first layer, using quick selection tool, and then colouring.

Third and final attempt the best and quickest:

Taking the fish, creating a new layer, selecting fish from new layer, go back to new layer and fill shape selected with paint bucket, which then would allow you to fill on top with a blend.

I personal thought if we didn’t change the fish colour, the whole meaning behind the fish game would be pointless. From my perspective, if I was playing the game, all I would see would be the fish eating rubbish, and thats it!

You wouldn’t get to view, his colour, showing how sick he feels when just approaching trash, let alone eating it. For me the colour of this fish was vital for helping younger ones to understand, how poorly our sea creatures are getting from all the pollution that is constantly being dumped in our oceans.

Week 7.3 – 15th March. 2021

The underwater scene

Here is how the game art is looking so far, together with our newly named fish ‘Tincan’ and the trash in the ocean. When thinking up names, when Patricio was at work, I was relating the kind of fish with the teeth, the eyes, the moment, and his surroundings. Tincan seemed a perfect choice. The game now had a title, main character with two colours, base colour and sick colour, a back ground, and some trash items.

Below is my layered background, created in Adobe Illustrator.

(Figure 7: Norton 2021 Design for undersbackground)

I incorporated Tincan as the bright sick green, to get an idea if he would clash with the scenery. Patricio had recommended that we check first, some colour ideas against the backing, as the original character is orange, so I experimented with the bright green as that colour was one that I thought was crucial to show his sickness, on approach to food, after and whilst eating.

From this, we could see the sick green worked, but we did need one more colour version created, which yet I hadn’t done. Base colour mixed with sick green, this was how it looked.

(Figure 8: Land/Norton 2021 Original fish by Patricio/ Colour Designs By Debbie)

Further research required

I realised from our process so far, that we were stepping the right direction with our game concept, however we are not really aware of any facts a such. I started to take a much more in-depth look at Ocean pollution, and Ocean sea creatures.

Ocean Research

When speaking to our peers, about the aim of our project, and the kind of outcome we were focusing on, one of them recommended this; MarineBio Conservation. After watching and making very in-depth notes about the state our Ocean is in, and crying throughout. I have come up with some very interesting theories, of how we could implicate this terrible situation into out game.

Below is the video link to “A Plastic Ocean”.

https://marinebio.org/conservation/ocean-dumping/

How to make more people aware?

From the documentary, I have been thinking about numerous ways in which our game could benefit the younger generation, and generally make more people aware of all the different kinds of plastics that first start effecting everything from a tiny shrimp, collecting plankton, not realising that its actually ingesting micro plastics.

Which is the start of the food chain in the ocean, leading to all the other fish, swallowing smaller fish and so on, which allows the toxins of the plastics, to circulate into the blood stream, there by all the marine life, has a shorter lifespan. Then it increases to get worse, through the seabirds, feeding its young, to people eating the fish, especially in parts of; Sri Lanka, and Manilla in the Philippines.

How to incorporate the research into our game?

  • Shrimp could be the main source of food – that Tincan is always looking for?
  • We could make Tincan – score points for every Shrimp he finds.
  • A real life fact could pop up – to make the younger generation more aware of recycling.

These were a few ideas, that I preposed to Patricio, while t he was working on the mechanic of making Tincan move from on side of the ocean, to the other. But making sure he focused on Tincan direction, that he would almost go between the some rocks and trash items.

Game Feel

I wanted to look more into the Game Feel, this youtube channel was recommended, and it certainly does help you get a better perspective of the importance of creating the right feel for your game, and helps you to understand how small objects, actions, gestures etc, can make a big difference to the gamer, and the players experience.

He looks at the notion of;

‘If you were to strip out all the elements in the game altogether, and are literally left with just the character moving, does it still feel fun..?’

Do you still want to engage with the character?

In Mario 64, the feeling of the game would still be engaging, because of all the new moves he can do, you would still have fun just with the character alone.

So if we tested this theory out …would our character be fun?

First Demo of our Game – Tincan – Out in the Ocean

This is a demo that shows the movement so far, what the fish looks like in his surroundings, you can move with left and right arrows for use with an Apple Imac keyboard, and A (to go left) and D (to go right) for Windows.

http://www.patricioland.com/Unity/Tincanweb_V1/index.html

Analysis of Demo

From the demo you can clearly see how the fish, goes straight in between the rocks and trash items, you also can view the added effects of the bubble, rising from the bean can for example, and the plastic bottle floating on top of the surface, a bubble of air, that has created a slight wave in the sea, and the constant motion of Tincan when not in use facing the front with his mouth opening and closing to breath.

While this was being created in Unity, we did have reservations about using this application.

But as the demo shows the development, all the elements we have used in it, and where we currently are, we can now start adding the extra content, and start working to focus on other ares of interest, such as creating more trash items, and working on the mechanics of Tincan eating the trash.

Week 7.4 – 17th March. 2021

Version Control – Why is it needed?

My understanding of version control, is ideally for coding, and for any kind of software development. By having original files safely stored, is one thing, however being able to update them within a click of button, is another. By creating a repository, you are able to upload your files, and make sure they stay up to date, which is just what you need when coding as its quite easy to make typos.

I cannot say I have experience in coding, but when talking to my peers I now have a clearer idea, of what a relief it is to have a repository. Its like a safety net, all the files you need, are backed up.

The only experience I had of creating c sharp script, in Unity was very difficult, and from that small experience, I can’t imagine what it would be like to loose pages of script, let alone an amount of just a single paragraph.

The solution that is used most often is Git.

Version Control – systems

Git is the version control system that allows us to keep many versions of the same project.

There are a few other Git Version Control systems such as; GitKraken, TortoiseGit, and GitHub Desktop.

Below are the Git system details, that I am about to put into practice, this is another new experience for me

Git System details

  • Set up a repository – the collection of files of your project that will be tracked by the system. In set-up, it is created online and ready to be populated.
  • Clone a repository – copy all the files in the repository to a location in your machine. From now on, changes to the files in your machine will be tracked by the Git client.
  • Commit changes to branch – to finalise any change onto your local repository and to give it a summary describing those changes.
  • Push and pull changes – once a commit has been made, it is possible to ‘push’ it onto the online repository, making it available to everyone with access to it, which will now be able to ‘pull’ your commit.
  • Create and merge branches – creating a branch makes an entirely different and independent copy of the project in the repository that can be worked on. This is useful to experiment on or even just implement a feature that has a risk of breaking the whole project. It is also good practice, in case of teams with multiple members, to never work on the same branch as other team members, in order to minimise conflicts. Once work on a branch is complete, the Git client can be used to merge it with other branches or with the master branch; the software does its best to help you manage conflicts.
  • Revert to commit – once the inevitable project-breaking mistake is made, reverting to previous working commits is as easy as a click in your Git client.

There are many Git version control services – GitHub is the most commonly used one.

These platforms, while easily accessible online, can also be used through Git client software.

GitHub – We have been recommended GitHub, because of the features. It guides you about different tools, platforms and pipelines.

Version Control Repository

First experience – Patricio has already set up our repository to share our rapid ideation artefact progress, however I am keen to set one up, to have a better understanding of the process.

I am creating one, for the game art. (I am literally only putting a few thing in there to check it works).

https://github.com/dknindiegamedev/hello-world

please also see the link I followed below:

https://guides.github.com/activities/hello-world/

References

A Plastic Ocean (2016).Available at: https://marinebio.org/conservation/ocean-dumping/ [accessed 16 March 2021]

Game Juice (2015). Available at: https://www.youtube.com/watch?v=216_5nu4aVQ [accessed 15 March 2021]

Git Version Control (2021). Available at: https://flex.falmouth.ac.uk/courses/911/pages/week-7-git-version-control?module_item_id=49187 [accessed 16 March 2021]

SWINK, Steve. 2009. Game Feel ; Game Designer’s Guide to Virtual Sensation. Morgan Kaufmann Publishers.

Full List of figures

Figure 1: Patricio Land 2021 Sea Creature eating plastic

Figure 2: Patricio Land 2021 Sea Creature no plastic

Figure 3: Norton 2021 Ideas for rock texture/ Alien globe

Figure 4: Norton 2021 Ideas for colour and texture of sand

Figure 5: Trello Board 2021 Deb and Pat’s Rapid Ideation Development Process

Figure 6: Land/Norton 2021 Original Fish by Patricio/Colour Designs By Debbie

Figure 7: Norton 2021 Design for under the sea

Figure 8: Land/Norton 2021 Original fish by Patricio/ Colour Designs By Debbie